“In art one idea is as good as another.”
Hmmm. Let us think about that. What difference does it make whether a painting is figurative or abstract? A nude or a flower?
There are great paintings of all types, of all subjects, from flowers to protraits to the horrors of war (at least great drawings).
Now, does his startling revelation apply to works of literary art? What is the weight or importance of theme in literature?
Let us examine some of the great works.
"Hamlet" in my opinion is the greatest of Shakespeare's plays. It is about a young man, college age, who comes home from abroad to find that, apparently, his father's brother has murdered his father the king and married his mother the queen.
Who, baby. Incest. Fratricide. Regime change. It seems the stuff of soap opera or telenovela. What is the theme of "Hamlet"? Ambition destroys both family and kingdom? Perhaps.
What is the theme of "Moby Dick"? Madness kills? Obsession destroys?
OK, but so what? We writers need themes on which to build our stories. But does it matter which theme?
What is the theme of "Macbeth"? According to Lajos Egri, the famous dramatic theorist, ruthless ambition leads to death and destruction.
What is the theme of James Joyce's "Ulysses"? Perhaps that one man's journey of one day in one city is equal somehow to another man's journey of thousands of miles over the seas and through dangerous adventures.
My argument is that you have to have a theme, but that it doesn't much matter which theme you choose. It just has to make sense.
Theme is just one element. All the other things matter just as much or more: good writing, interesting characters, the exploration of the human condition and human consciousness, a story problem or difficulty that raises a strong dramatic question, the experience of reading or hearing or seeing the work of art.
Theme? Anything of import will do. One idea is as good as another.
What do you think?
What do you think?
(Of course, like any other subject, I reserve the right to change my mind.)
-- Roger
Copyright © 2011, Roger R. Angle
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